Jon, have you tried to compare the output in davinci, with either the davinci color transform or the aces transform workflow to the leeming lut? Just curious, I find the davinci color transform works pretty well, and the aces too, except that in bright colors it clips sooner to white than davinci. You can also join Paul Leeming's facebook group if you have particular questions you'd like to ask him. I'd recommend having a look here if you haven't done so already. But it also means more work, because the image is flat and lacking in saturation. Unlike baked-in picture styles, they allow the most flexibility in post. You've got more information to work with shooting HLG BT2020.įilms are shot in either log or RAW to capture and preserve as much color information and dynamic range as possible. What are the benefits for choosing BT.2020 on Sony camera’s? What can we do with those files if we have beter monitors? It still is only 8bit. So why shoot BT.2020 - 8bit - HLG3 and then covert it to rec. 709, the only reason for that is to match it properly on the monitors we are watching our content on. 709) color space the best settings for capturing footage is Rec. Right, so basically with Sony we shoot 8bit.ĭifference between BT2020 and Rec.709 is absolute because of the 8bit.īecause most of us are still watching on monitors with a sRGB(rec. Even if most of my work will continue to be SDR for the foreseeable future, it’s great to be able to create HDR video from time to time. I wouldn’t buy a camera in 2020 that doesn’t shoot 10-bit 4:2:2 internal. HDR means capturing in 10-bit (or higher) rec. Netflix is now requiring films be shot in HDR. I’m not fond of Asus’s customer support, but they sell a $1,200 HDR monitor that is fine for grading your projects (unless you’re a colorist working with six-figure budgets in LA or NY I guess). MSI and Apple are just two companies planning to release mini LED HDR laptops in 2020.
HDR displays, laptops and desktops will be commonplace in just a few years.
You're flushing all that color information and dynamic range of the camera down the toilet. 709 is a thirty year-old standard designed for HDTV. 709 will it limit the versatility?Ĩ-bit Rec. Only I wouldn’t shoot Sony 8-bit HLG to deliver HDR at a later date.įair point, but is it advised to shoot in BT.2020? Has it all the possibilities and information in it? By shooting in rec. Is this correct and should i shoot choose BT.2020 because of the reasons above? 709 not? And BT.2020 can be converted to rec.709 for better color space. What i understand is that BT.2020 can convert in HDR and rec. So the LUTS are made for BT.2020 because alot of other company ‘s are using this, which makes it more mainstream.
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